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My work falls within the realm of contemporary geometric abstraction, where structure and intuition coexist. Through circles, lines, and planes of color, I explore visual relationships that oscillate between compositional order and the spontaneity of gesture.

While my practice engages with Bauhaus principles—formal clarity, balance, and the use of geometry—it is distinguished by the incorporation of gestural textures that activate negative space. These material surfaces, worked with greater freedom, generate a tension between control and expressiveness.

In contrast, positive space is constructed through defined geometric forms—circles, ovals, triangles, and chromatic planes—organized with structural precision. These forms function as visual units that generate rhythm, hierarchy, and balance within the composition.

The coexistence of textured surfaces and sharp geometric elements establishes a dialogue between gesture and structure. Color, applied in saturated and contrasting planes, acts as an organizing element that guides the eye and reinforces the internal dynamics of the work.

In my various series, I address themes such as human relationships, memory, migration, spirituality, and social issues, translated into an abstract and synthetic language. These references are not presented literally, but rather integrated into the compositional structure through tensions, balances, and connections between forms.

My work thus proposes a contemporary geometric language that combines formal rigor and expressive freedom, inviting both an analytical reading of the composition and a direct visual experience.