My work is rooted in geometric abstraction as a way of thinking about human relationships and social realities. Through structured forms—circles, triangles, rhombuses, squares—and fields of color, I explore the bonds, tensions, and points of encounter that emerge between individuals and communities in contemporary society.
Each shape carries its own symbolic meaning: circles represent individuals, rhombuses represent social structures, broken or incomplete forms suggest displacement and marginalization, and triangles evoke energy, conflict, and transformation. These visual elements interact within shared spaces, reflecting coexistence, power dynamics, and inequalities, while maintaining their own identity.
My work also addresses human displacement and migratory movements shaped by conflict, economic instability, lack of opportunities, and unequal living conditions. These processes are translated into fragmentation, transition, overlap, and spatial reconfiguration, functioning as metaphors for adaptation, resilience, and reconstruction.
By using geometry as a universal visual language, I avoid literal representation, instead constructing compositions where balance, repetition, contrast, and tension communicate complex social realities. I do not seek closed narratives, but open spaces for interpretation, where difference does not divide, but builds.
Through these abstract structures, my work invites viewers to reflect not only on coexistence and identity, but also on the political, social, and human forces that shape our world.