My work sits within the realm of contemporary geometric abstraction, a space where formal structure and intuition coexist. Although my practice draws from the historical legacy of the Bauhaus, Constructivism, and De Stijl, my current search is not purely aesthetic; I use geometry as a synthetic language to give order and refuge to the complex realities that move us as a society.

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On my canvases, rough textures and geometric lines are not just shapes: they are a constant dialogue between the imprint of the soul and the order of thought. I conceive matter as a living territory that harbors memory and scars, offering a gestural, tactile surface against the rigidity of the straight line. In contrast, the positive space is built through circles, ovals, and planes organized with structural precision, functioning as anchors that generate rhythm, balance, and stability.

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Through this visual architecture, my series embrace the plurality of human relations, the essential bonds between human beings and nature, the wounds of displacement and migration, the tireless search for equality, and the mystery of spirituality. Rather than depicting these realities literally, I transform them into silences, tensions, and embraces between shapes and vibrant color.

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My painting is, therefore, an invitation to feel before understanding—a bridge stretched between the rigor of structure and the absolute freedom of feeling. With each piece, I aspire to create a sacred space of calm and contemplation that sparks the curiosity of the mind, but above all, touches the heart directly and awakens the human empathy of those who stop to look.