I paint bodies that dream, touch, and merge in dreamlike and carnal scenes, where the human and the animal coexist in symbolic, sensual, and chaotic landscapes. My practice focuses on large-scale figurative painting, primarily in acrylic on canvas, using a vibrant and saturated palette inspired by German Expressionism, Latin American muralism, Gauguin, and Matisse. Technically, I emphasize the expressive use of flat color, strong contours, and the balance between chaos and visual harmony. I work with free gestures and visual memory, painting without preliminary sketches, composing as I go, allowing forms to build, overlap, and contradict each other.

My works unfold as open narratives: fragmented stories that intertwine personal experiences, cultural references, and mythological or fetishistic elements. The figures I paint—often grotesque, exaggerated, or caricature-like—challenge traditional standards of beauty and anatomy, generating tensions between the sacred and the profane, the sensual and the violent, the tragic and the absurd. I paint as someone who simultaneously remembers and forgets.

Each image is a metaphor for the human condition, a visual diary where eroticism, tenderness, death, sacred art, and surrealism converge. My paintings don't seek to provide answers; they pose questions, provoke contradictions, and confront the viewer with their own gaze. Color, the body, and emotion are the primary vehicles of this experience. I paint to narrate, but also to allow the viewer to complete the story from their own perception.